The Maribor Festival is one of Europe's finest summer festivals. Rating:****
John Allison, The Sunday Telegraph (VB), 2010
The Woman Project concert was utterly brilliant and was definitely the highlight of the whole festival. [...] The surroundings of the Slovene National theatre allowed for video excerpts that interspersed brilliantly with all that went on and the concert was truly the high point of proceedings.
Gerald Fenech, Music & Vision, 2014
In this year the Festival Maribor is even more eagerly tackling the popular culture and is opening new areas of understanding between various music and art genres.
Žiga Brdnik, 14. 9. 2013, Večer
It is fascinating how a temporary, non-institutional orchestra, apparently motivated by reasons other than those of conventional orchestras, can be transformed in such a short time into a harmonious and flexible performing body with exuberant energy. It is capable of delivering outstanding interpretations of even the most demanding chamber and symphonic works.
Stanislav Koblar, Pogledi (SI), 2011
In the most sensational concert of an often sensational Maribor Music Festival week, Giovanni Sollima issued a challenge to all who think the cello is for the faint of heart… this was music that lifted the cello into the realms of the musical gods. It didn’t hurt that the cello people were partnered to breath-taking precision and intensity by the Festival Maribor strings and its miracle-working conductor, Marko Letonja.
GLaurence Vittes, Huffington Post (USA), 2011
The Berlin Orchestra - this time as a chamber ensemble - shone in moments of crystal clarity (Valse Lente by Schreker), galant enthusiasm (Mendelssohn), I was also impressed by the broad dynamic spectre which reached to barely audible lows (Valse Triste by Sibelius)
Aljaž Zupančič, 9. 9. 2013, Večer
An astounding testament to what world-class musicians can produce in a two-week period of intensive work.
Laurence Vittes, Seen and Heard International (USA), 2011
As the artistic director, Richard Tognetti exerted himself in his own manner: unrestrained temperament, virtuoso know-how, creative imagination, sense of timing, stage talent, charisma… Adding the richness of the orchestral sound – could we ask for anything more?
Janko Šetinc, Večer (SI), 2011
Richard Tognetti is one of the most characterful, incisive and impassioned violinists to be heard today.
he Daily Telegraph (UK)
When we pass the festival’s recognisable posters, my children call out to me: ‘Look, mom, it’s our friends!’ And let them become your friends too.
Petra Greiner, Večer, 2015
Classical music breaking free.
Laurence Vittes, Huffington Post (USA), 2011
Unlike the temporary nature of the Festival Maribor Orchestra, the permanent Slovenian orchestras (the Radio Orchestra and Slovene Philharmonics) can only dream of a comparable intensity or zeal at this point.
Jure Dobovišek, Delo (SI), 2011
This is a festival which I will always enjoy attending since I am always made at home by the organisers, a lively bunch of talented music lovers who surely deserve the highest accolades.
Gerald Fenech, Music & Vision, 2013
Maribor is not a city with which you would normally associate classical music of the highest quality – that accolade is normally reserved for illustrious places such as Berlin, Vienna, London or New York. But for a few days in early September, Maribor was indeed a city of excellence in all ways imaginable.
Gerald Fenech, Music and Vision (USA), 2010